"Badlaav "
"Change "
*Badlaav* is a deeply poignant collection of poems that explores the essence of human emotions, social struggles, and the shifting dynamics of relationships. Through moving verses, the collection sheds light on the harsh realities of modern family life, where elderly parents—once revered—now face neglect and abandonment. In a world consumed by selfishness, their pain is often overlooked, and their presence reduced to a mere burden. These poems resonate with the isolation of parents, prompting deep reflection on the fading bonds of love and duty.
"Raah Bana Loongi"
"I will carve out a path"
This poetry collection represents the blossoming of the various forms of my poetic craft. Alongside free verse, it encompasses *geets* (lyrical songs) and *ghazals*. The poems reflect a blend of emotive expression, messages, the aesthetics of romance, and a mirror to the times. On one hand, there is the enchanting beauty of nature, while on the other, the glory of patriotism sounds its triumphant clarion call: “Heroes sacrificed their lives to hoist the banner of glory upon the earth.”
"Yaadein Zinda Hain "
"Memories live on "
“Yaadein Zinda Hain” (Memories Are Alive)—across these poems, one perceives the surfacing of emotional depth, sensitivity, a philosophy of life, a communion with nature, and the anguish of existence; there is an attempt to touch upon the nature of time and the state of the mind, alongside the natural, poignant ache of remembrance that emerges in various forms.
"Ankit Kar Duun"
"Let me inscribe"
I have drawn the themes for my poetry from my own everyday experiences and inner realizations. In this collection, I have endeavoured to touch upon subjects such as social oppression, love, anguish, the essence of life, the status of women, philosophy, communion with nature, the passage of time, and states of mind.
"Shabdon ke Daayre"
"The Limit of Words"
In this poetry, I have exercised restraint by remaining within the confines of words, whereas the influences themselves know no boundaries; they find expression in every conceivable form. My poetry collection, *Shabdon Ke Dayre* (The Realm of Words), serves as a mirror reflecting certain enigmatic and poignant facets of human existence. There are no barriers to the diverse modes of expression within the sentiments of these poems; indeed, the nuances of *Abhidha* (literal meaning), *Vyanjana* (suggestive meaning), and *Lakshana* (metaphorical meaning) are scattered throughout the work.
"Pyaara Bargad Kehti Daali"
"Beloved Banyan Tree, says the branch"
“Pyara Bargad Kehti Daali” also draws attention to the social issues within Indian society. Succumbing to human frailties—such as abuse, envy, malice, and alienation—an individual devoid of a sense of duty loses the very essence of humanity. The work offers a natural expression of evolving societal relationships, the erosion of humanity, shattered dreams, anguish, pain, the realization of love and betrayal, and the experience of love and beauty. The ups and downs of human life and the resulting anguish deeply shake the human spirit. A mother is revered in this world, yet the experience of her being scorned or subjected to pain deeply unsettles the soul. This poetry collection is filled with the many unspoken sorrows of a mother; that is precisely why the tears do not dry.
"Maa Shabd ko Badnaam Kyu Kiya"
"Why was the word 'Mother' tarnished?"
The poems in “Maa Shabd Ko Badnaam Kyon Kiya” (Why Was the Word ‘Mother’ Defamed?) capture the pulse of a beating heart. They offer an assessment of a social reality that groans under the weight of human anguish and the cries of deep suffering. These poems strive to touch upon the emotions and sensitivities of the mind, the philosophy of life, and the interplay between time and one’s state of mind. Simultaneously, the natural ache of remembrance surfaces in various forms.
